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Saturday, November 1, 2008

Actualizando...

Heeeeeeeee hey!!! Então ainda há por aí alguem que insiste em passar por aqui à procura de actualizações?

Obrigada, fico contente bla bla bla bla bla, mas continuo a achar uma seca.

Mas como ontem foi o aniversário do Roland, hoje (imaginem vocês porquê) não há chamadas, sms's ou emails dos estagiários com sugestões para sair. Parece que não me resta outra coisa senão passar a ferro =S buhhhhhhhhhhhhhhhhhhhhhhhh ou actualizar o blog, buh!

Wednesday, October 29, 2008

Day of the Dead

I have now completed the original Dead trilogy with Day of the Dead. My opinion is really mixed on this film because there are some things I really enjoyed about it and some things that kind of disappointed me with it.

Day of the Dead does take place well into the zombie epidemic and there are very few living persons still out and about; basically, people are in shelters or the dead walking the earth. Sarah and a team of scientists are in a shelter with a military team; along with seeking out survivors the scientists are doing research on the epidemic. However, while Sarah wants to find a cure Dr. Logan (a.k.a. – Frankenstein) wants to find a way to control them, and the soldiers merely want to flee. As such the soldiers and the scientists cannot get along and the already tense atmosphere in the shelter begins to rip itself apart until of course the zombies become an even bigger threat once again.

I think where my main issue with the film comes in is that the mere concept of Day of the Dead lends itself to so much possibilities with subtext about science vs. instinct, government vs. citizens, control and power, etc. and yet in Day of the Dead very little is done to explore this merely because it is the surface of the film – you already have a very obvious two groups of people each struggling for power over the situation and beyond the actual trappings of the story there is no way to delve deeper in that than what is shown. The soldiers are obviously bad and the scientists and citizens are obviously good. All the cards are on the table for you and you don’t even have to look at your hand to know what is in it.

It simply makes me sad because of the four Dead films I’ve seen three have very rich, era-transcending subtext and yet Day of the Dead lacks that same finesse. I’ve been told the subtext is about the Regan era military/government but that again strikes me as upsetting because that would mean the subtext isn’t capable of being understood by an audience in any era – at least not like racism, materialism and classism can be.

What I did love was the character of Sarah. George Romero had used a strong female central to the story in Dawn of the Dead but Sarah is pulled straight out of 80’s feminism right down to her tough as nails attitude that remains unafraid of the men in the film. The only time she backs down from a stand is when one of the characters threatens to shoot her, and even then she waits until it becomes obvious that this will actually happen and not be an empty threat.

I also loved that you had a scientist that has crossed the line from research to a twisted fascination with the zombies. His experiments are macabre and inhuman yet no one feels the need to stop him because they are still bewildered by the situation.

I am torn because on one level things like Sarah make Day of the Dead a candidate for my favorite Dead film, but the lack of subtext disappoint me so much that I appreciate Dawn of the Dead and Night of the Living Dead more. Possibly my opinion of this film is colored because I have already seen Land of the Dead and this film seems like a stepping stone to get into the story in Land of the Dead where society has begun to be reestablished. I adore the subtext in Land of the Dead, characters, plot and was gloriously entertained by that film. However, I don’t think Day of the Dead should be missed.

Director & Writer: George A. Romero
Sarah: Lori Cardille
John: Terry Alexander
Capt. Rhodes: Joseph Pilato
William: Jarlath Conroy
Miguel Salazar: Anthony Dileo Jr.
Logan: Richard Liberty

Sarah: Maybe if we tried working together we could ease some of the tensions. We're all pulling in different directions.
John: That's the trouble with the world, Sarah darlin'. People got different ideas concernin' what they want out of life.

Monday, October 27, 2008

3:10 to Yuma


3:10 To Yuma
Originally uploaded by patchdrury
I am a self-described Christian Bale junkie. As such it is a wonder that I have a few films in my collection starring Bale that I have not yet watched. This needed to be rectified so I began by pulling out my copy of 3:10 to Yuma which I received as a birthday present last February even though I had never seen it.

I actually do have quite a few movies in my collection that I have never seen, but the funy thing is that I attempted to see 3:10 to Yuma when it was in the theatre – it just didn’t want to see me. Between projection problems and the print being uncared for the film broke twice in the first five minutes and I walked out refusing to sit through a movie I really wanted to see knowing that it would probably keep having glitches all the way through; but I digress, I received it about nine months ago and for some reason it has sat on my DVD shelf ever since. What can I say? I have a DVD collection that numbers in the triple digits.

3:10 to Yuma is a remake, but do not count that against it. The film is one of the most moving, poignant westerns I have ever seen. While I have not seen the original I cannot imagine weighing this version of 3:10 to Yuma against anything but itself it is that good. This is an action film/western that is actually very moving character piece about two men and how the choices they have made in their lives have led up to the moment they meet each other – each man changes the other in an indelible way.

The film centers around two very different characters, Ben Wade is a ruthless outlaw known for robbery and murder who is in charge of an equally ruthless gang and Dan Evans is a civil war vet who lost his leg to the war and has spent his time since caring for his family on a ranch in Arizona. Dan is perpetually down on his luck and feels the constant wane of his families respect. The two men come in contact when Ben robs a armored carriage near Dan’s ranch. Dan later goes into Bisbee (the nearby town) and inadvertently runs into Ben again and manages to help in his arrest. From then Dan agrees to help the group assigned to take Ben to Conviction city where they can get him on the train to Yuma prison. Ben goes along knowing that at any time he can outsmart the men and that his gang will be tracking him down. However, what he does not expect it to be so fascinated by Dan and through the journey though the two men do not really like each other they develop a kind of mutual empathy for the other which causes Dan to finally want to do the right thing to make his children proud of him and watching Dan changes Ben forever.

This is a western in the truest since and you can feel the dirt and grime that shooting on location created. James Mangold manages to take a very action filled story and turn it into a character piece about a good man who is down on his luck and a man who appears to be rotten to the core who turns out to have a little bit of good left in him. The action in the film is spectacular, but more than anything Mangold manages to make you interested in these characters which is something so many action movies seem to forget about.

I could watch Christian Bale read the dictionary, but I truly believe he is one of the best actors of our times and he again proves how capable he is of disappearing into a role in this film. I’ve heard directors speak about Bale and say that the best thing about him is that he isn’t as interested in the trappings of the script but that the character changes throughout it, and I think you can tell in his performace that he truly dedicates himself to this transformation.

Even if you don’t think you like westerns I implore you to take a chance on 3:10 to Yuma. The film is worth your time. After this film and Walk the Line, I am very excited to see where James Mangold will take me next.

Director: James Mangold
Writers: Halsted Wells, Michael Brandt & Derek Haas
Ben Wade: Russell Crowe
Dan Evans: Christian Bale
William Evans: Logan Lerman
Grayson Butterfield: Dallas Roberts
Charlie Prince: Ben Foster
Byron McElroy: Peter Fonda
Doc Potter: Alan Tudyk
Alice Evans: Gretchen Mol

Dan Evans: I've been standin’ on one leg for three damn years waitin’ for God to do me a favor... and He ain't listenin.