Youth Without Youth

Let me start by saying that I adore Francis Ford Coppola; the man is a visionary and iconic filmmaker that will make prolific films until he decides to stop and his career will be remembered for years after it ends. That being said, there are times I question Coppola’s filmmaking decisions…while I can’t say that I question why he made Youth Without Youth, I really can’t say that I understand the movie at all.

In the early stages of Hitler’s Germany Dominic is a 70 year old professor who is tired of life, and goes away on a trip where he is immediately struck by lightning. Dominic should be dead, but instead after weeks of medical care he heals and reveals that he now has an approximately 40 year old body; he allows himself to be studied by the doctor that oversaw him until Hitler’s scientists discover his existence and try to take him into custody. Dominic then lives the life of a fugitive as he continues his research on the origin of language.

This is a strange film, not a bad one, but a strange one. Along his journey Dominic discovers that he is gaining “super powers” including the ability to absorb information from objects, manipulate objects, and he uncovers that the lightning strike has created multiple personalities within him. Dominic does not age but if he spends too long around a loved one they age at a rapid rate. The film is a study of language, history and the possibility of past lives, but does not settle on one topic for very long as it studies the life that Dominic now leads.

One of my favorite things about Coppola is that he is not afraid to take risks. One of my favorite visual hints in Youth Without Youth is Coppola’s use of the upside down image; I won’t say what Coppola is indicating by using this but the images that he chooses to invert are striking and aid in his ultimate goal which is to make the audience think about what they are watching and why.

Youth Without Youth shares some of the same ideas as The Curious Case of Benjamin Button; the ideas of love, youth, life and experience. However, while I cannot say I am a huge fan of Benjamin Button or Youth Without Youth I do have to say that I enjoyed the journey a bit more in the case of Youth Without Youth.

Director & Writer: Francis Ford Coppola
Dominic: Tim Roth
Veronica/Laura: Alexandra Maria Lara

The Curious Case of Benjamin Button

The Curious Case of Benjamin Button
Originally uploaded by AsceticMonk

The Curious Case of Benjamin Button is an epic sized tale about the life of Benjamin Button, a man that was born an old baby and aged backwards. That’s seriously all I can say about the plot of Benjamin Button, not because I didn’t like it or because I’ll spoil something but because there is really not a lot else to say about the film. Benjamin Button lives his life just like everyone else, except that he ages in reverse; he doesn’t do anything different than any film character you’ve seen before do except age in reverse of the natural order.

I am not trying to be harsh on the film, but I went in expecting something new and brilliant and got Big Fish only an hour longer and without the fantastical aspects. I am disappointed because where I enjoyed seeing Tim Burton break out of his box, there was nothing stale with David Fincher’s style that made him breaking out of his box refreshing. I also feel that the trailers and the actual movie make you feel like there is some large purpose or point behind The Curious Case of Benjamin Button but in the end there was a lot of build up but no pay off, no greater lesson the character learned and wanted to impart on you. I feel like this was the dramatic equivalent of a summer movie – while all the story was nice, and the performances wonderful people really just wanted to see the special effects. I do suppose that’s a valid reason to see it simply because the effects and visuals of the film are stunning, Fincher really does know how to compose a dynamic shot and make a gorgeous movie.

One of the things I didn’t like about the digital effects was the aging of Cate Blanchett, and oddly enough I am not complaining about the effects to make her look older but the ones to make her look younger. When they make her look in her 20’s to me she looks so digitally touched she is practically glowing. This may have been what Fincher was going for but personally I found it distracting.

I was going to mention how much I enjoyed Brad Pitt playing Benjamin at so many ages, but I just checked IMDB and about 5 people played Benjamin before Brad Pitt comes into the film so I must applaud the special effects there (because I couldn’t tell) and yet now I feel I can’t give Brad Pitt the kudos I thought he deserved.

I also think that some of my problems with the film might have been eliminated if they took one more pass in the editing room – I honestly think everything in the present time line could have been dropped and done with voiceovers and made the film’s story pack more of a punch, but I do understand Fincher’s desire to keep what he shot. However, every time the film cut back to the present I did feel that the flashbacks lost a little of their dramatic punch and this could have led to me thinking that the film built up a lot of expectations that it didn’t fulfill.

I don’t mean to come down too harshly on The Curious Case of Benjamin Button. I did like the movie, think it was well made, and find the story adorable. I merely think that there is an air of pretension behind the film that it would be better without.

Director: David Fincher
Writer: Eric Roth
Daisy: Cate Blanchett
Benjamin Button: Brad Pitt
Thomas Button: Jason Flemyng
Queenie: Taraji P. Henson
Captain Mike: Jared Harris
Elizabeth Abbott: Tilda Swinton

Benjamin Button: I was thinking how nothing last, and what a shame that is.
Daisy: Some things last.