Let me emphatically say the I love Mean Streets. The very first time I saw this film was in a 70’s film genre class and I remember being riveted to my seat, but when the lights came up it was apparent that I was one of the only people of the 30+ film students that were.
This still mystifies me.
Mean Streets is a different Scorsese than we would get if we walk into a theatre today. It’s more raw, chaotic and carefree – yet it is in essence the very thing that led up to Travis Bickle and even the men of Scorsese’s modern work. This is a film about a New York that’s crumbling but loved, affluent but poor, artistic yet visceral, masculine and familial. All of these things are the very essence of what makes a Scorsese film Scorsese.
As you would imagine, the real standout element to Mean Street is the element that most people remember Scorsese for in his films even now – his leading man. Scorsese’s muse may now be Leonardo DiCaprio, but DiCaprio’s way was paved by none other than Scorsese’s original muse Robert DeNiro. Mean Streets was the first collaboration between Scorsese & DeNiro and it’s immediately evident why they worked together for so long. In a film where Scorsese knows exactly what he’s doing, DeNiro is the one element that absolutely shines as though he were made for that world.
I really can’t say a lot about Mean Streets because I truly believe it’s a film that should be discovered by the viewer. It’s a film that helped define one of the most prominent directors of the Hollywood pantheon and a film that entices you to see more.
Director: Martin Scorsese
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Showing posts with label robert de niro. Show all posts
Showing posts with label robert de niro. Show all posts
Monday, October 4, 2010
Tuesday, September 8, 2009
The Mission
Based on a true story of Jesuit missionaries in South America, The Mission tells the tale of Rodrigo Mendoza and Father Gabriel. Rodrigo is a former slave trader who slays his brother in a fit of jealousy and eventually, through the efforts of Father Gabriel and the mission he started becomes a Jesuit priest himself. Father Gabriel is dedicated to improving the lives of the Indians in the area both by showing them God and keeping them from being kidnapped or traded as slaves. The Mission is a movie that has been recommended to me for years and I only just now got around to netflixing it. I am glad that I did. It is a visually, artistically and thematically beautiful movie that I think any cinema buff should see. There is not a bad characteristic to this movie from the performances and direction to the scenery – everything is incredibly well put together and marvelous to behold. The Mission is a film made by a director that knows what he’s saying and how he needs to accomplish it, something that is always a great thing to watch.
If there were any flaw in The Mission it would have to be that it is one of those movies that feels long. At only a hair over two hours, the actual running time is not long, but when you watch the film you feel like you are living with these characters at the mission and it feels like you are spending a great amount of time inside it. I was quite shocked to see the actual running time of the film.
Over the past decade or so I’ve watched Robert DeNiro in everything from Meet the Parents to Taxi Driver and I have to say that The Mission was the first time I have seen him in a period piece, or doing a serious role where he is not an insane character. I know I have many more DeNiro films to watch but I do adore this man’s talent and love to watch him work. He fit better in this world of God and Indians that I thought he would, and as always he meshed very well with his fellow actors.
I don’t know if The Mission would be added to my DVD collection, but it is a film that I am glad is now in my film vocabulary.
Director: Roland Joffe
Writer: Robert Bolt
Rodrigo Mendoza: Robert De Niro
Father Gabriel: Jeremy Irons
Fielding: Liam Neeson
Gabriel: If might is right, then love has no place in the world. It may be so, it may be so. But I don't have the strength to live in a world like that, Rodrigo.
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